Stefan Soltesz was in the middle of Richard Strauss’s “The Silent Woman” when he fell from his podium shortly before the end of the first act.
Author: A.J. Goldmann
He Came to Berlin to Change the World. Then the World Changed Berlin.
The Volksbühne theater’s longtime musical director Sir Henry arrived amid a post-Cold War artistic flowering in the city. The musician bemoans what followed.
In Munich, a Theater’s Ambitious New Era Starts Mid-Pandemic
Barbara Mundel takes over as artistic director of the Münchner Kammerspiele, lately perhaps the most consistently exciting playhouse in Germany.