The success of “Spider-Man: Far From Home,” along with sustained interest in “Toy Story 4″ and ”Yesterday,” added up to a strong holiday weekend.
Author: Jake Coyle, The Associated Press
‘Godzilla’ crushes competitors with $49M, but Elton John’s ‘Rocketman,’ ‘Ma’ found their fans
The new ‘Godzilla’ underperformed, opening with half the $93 million debut of the 2014 predecessor. Disney’s live-action ‘Aladdin’ fell to second.
Cannes Film Festival awards top prize to ‘Parasite,’ the first Korean film to win Palme d’Or
Bong Joon-ho’s raucous social satire “Parasite,” about a family of hustlers, won Cannes Film Festival’s Palme d’Or, a first for a Korean film.
Biggest debut ever: ‘Avengers: Endgame’ shatters records with $350M haul, $1.2B globally
Marvel’s superhero epic ‘Avengers: Endgame’ has obliterated everything that came before it, earning $350 million domestically, $1.2 billion globally.
DC’s ‘Shazam!’ thunders to No. 1 with $53.5M and great reviews
It wasn’t as big as “Aquaman” or “Wonder Woman,” but “Shazam!” handed DC another No. 1 film, easily beating out Stephen King’s “Pet Sematary” remake.
Larry Cohen, director of ‘It’s Alive’ and other cult horror films, dies at 77
Larry Cohen, the maverick B-movie director of cult horror films “It’s Alive” and “God Told Me To,” has died in Los Angeles, surrounded by loved ones.
Jordan Peele’s ‘Us’ totally kills it at the box office: $70.3M debut
Horror hit “Us,” Jordan Peele’s follow-up to “Get Out” starring Lupita Nyong’o, cost just $20 million to make, meaning it’s already a huge hit.
Brie Larson’s ’Captain Marvel’ blasts off with stellar $153M debut
“Captain Marvel,” Marvel’s first female-fronted solo superhero movie, launched with $153 million, performing on the high end of expectations.
‘Aquaman’ is king of the box office, beating out ‘Mary Poppins,’ ‘Bumblebee’ with $67.4M
Without a ‘Star Wars’ movie, the field was wide open. But ‘Aquaman’ prevailed over ‘Mary Poppins’ and ‘Bumblebee’ at the pre-holiday box office.
Time’s Up study concludes ‘female-led’ films do better than male ones at the box office
A new study organized by Time’s Up says female-led films best male-led films at the global box office. Why hasn’t Hollywood noticed?